MagdalenaandMariaaretwotwinsisterswhowereseparatedatbirthandknownothingoftheother’sexistence.MariarunsawayfromtheboardingschoolinwhichshewasbroughtupandfindsworkasacabaretperformerinthecafésofMarseilles.Magdalenaliveswithheradoptedparentsandworksinanartgallery.ThetwosistersarejoinedbyaninvisiblebondwhichdrawsthemtowardsthesametragicconclusionDirectorWernerSchroeterhasacquiredareputationasanexperimentalistfilmmaker,hailedbysomeasanunderratedgenius,reviledbyothersforbeingapeddlerofself-indulgentkitsch.DeuxisarguablySchroeter’smostambitious,unsettlingandrepulsiveworktodate.Thedirectorcertainlywastesnotimeinalienatinghisaudience;fromthefirsttenminutesofthefilmitisclearthisisnotgoingtobeaneasyride.Thenarrativecutshaphazardlybetweenseeminglyunconnectedevents,alternatingbetweenrealismandstylisedfantasydreamsequences,periodicallyshockingthespectatorwithgraphicimagesoflesbiansexandawomanbeingslowlydisembowelled.Havingseveralactorsplayingmultiplepartsonlyaddstothesenseofartificeandutterconfusion,whichisapityasthereismanifestlyalotofgreatactingtalentonshow–notleastofwhichisIsabelleHuppert.Thefilm’ssheerrelentlessgrotesquenessandself-indulgenceissoextreme,sounbridled,sostomach-churninglyprovocative,thatitishardtotakeanyofitseriously.
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